A Pausanias Reader in Progress

An ongoing retranslation of the Greek text of Pausanias, with ongoing annotations, primarily by Gregory Nagy from 2014 to 2022, and continued since 2022 by Nagy together with an intergenerational team. Based on an original translation by W. H. S. Jones, 1918 (Scroll 2 with H. A. Ormerod), containing some of the footnotes added by Jones. Editors: Keith DeStone, Elizabeth Gipson, Charles Pletcher Editor Emerita: Angelia Hanhardt Web Producer: Noel Spencer Consultant for images: Jill Curry Robbins To cite this work, use the following persistent identifier: http://nrs.harvard.edu/urn-3:hlnc.prim-src:A_Pausanias_Reader_in_Progress.2018-.

urn:cts:greekLit:tlg0525.tlg001.aprip-en


2.21.1 Having descended thence, and having turned again to the marketplace, we come to the tomb of Cerdo, the wife of Phoroneus, and to a temple of Asklepios. The sanctuary of Artemis, surnamed Persuasion, is another offering of Hypermnestra after winning the trial to which she was brought by her father because of Lynkeus. Here there is also a bronze statue of Aeneas, and a place called Delta. I intentionally do not discuss the origin of the name, because I could not accept the traditional accounts.

2.21.2 In front of it stands an altar of Zeus Phyxios, and near is the tomb of Hypermnestra, the mother of Amphiaraos, the other tomb being that of Hypermnestra, the daughter of Danaos, with whom is also buried Lynkeus. Opposite these is the tomb of Talaos, the son of Bias; the history of Bias and his descendants I have already given.

2.21.3 A sanctuary [hieron] of Athena Salpinx [‘Trumpet’], they say, was founded by Hēgeleōs. This Hēgeleōs, they also say, was the son of Tyrsenos, and Tyrsenos was the son of Hēraklēs and the Lydian woman; Tyrsenos invented the trumpet [salpinx], and Hēgeleōs, the son of Tyrsenos , taught the Dorians who were with Tēmenos the sound [psophos] of the instrument [organon]. It is for this reason that he made-an-additional-name [ep-onomazein] for Athena, Salpinx [‘Trumpet’]. In front of the temple [nāós] of Athena is, they say, the tomb [taphos] of Epimenides. They also say that the Spartans [Lakedaimonioi] made war upon the people of Knossos and took Epimenides alive; they then put him to death for not prophesying [manteuesthai] for them things that were fitting [aisia], and they [= the people of Argos], taking him [= his body], buried [thaptein] him here.

2.21.4 The building of white marble in just about the middle of the marketplace is not, as the Argives declare, a trophy in honor of a victory over Pyrrhos of Epeiros, but it can be shown that his body was burned here, and that this is his monument, on which are carved in relief the elephants and his other instruments of warfare. This building then was set up where the pyre stood, but the bones of Pyrrhos lie in the sanctuary of Demeter, beside which, as I have shown in my account of Attica, his death occurred. At the entrance to this sanctuary of Demeter you can see a bronze shield of Pyrrhos hanging dedicated over the door.

2.21.5 Not far from the building in the marketplace of Argos is a mound of earth, in which they say lies the head of the Gorgon Medusa. I omit the miraculous, but give the rational parts of the story about her. After the death of her father, Phorcus, she reigned over those living around Lake Tritonis, going out hunting and leading the Libyans to battle. On one such occasion, when she was encamped with an army over against the forces of Perseus, who was followed by picked troops from the Peloponnesus, she was assassinated by night. Perseus, admiring her beauty even in death, cut off her head and carried it to show the Greeks.

2.21.6 But Prokles, the son of Eucrates, a Carthaginian, thought a different account more plausible than the preceding. It is as follows. Among the incredible monsters to be found in the Libyan desert are wild men and wild women. Prokles affirmed that he had seen a man from them who had been brought to Rome. So he guessed that a woman wandered from them, reached Lake Tritonis, and harried the neighbors until Perseus killed her; Athena was supposed to have helped him in this exploit, because the people who live around Lake Tritonis are sacred to her.

2.21.7 In Argos, by the side of this monument of the Gorgon, is the tomb of Gorgophone (Gorgon-kilIer), the daughter of Perseus. As soon as you hear the name you can understand the reason why it was given her. On the death of her husband, Perieres, the son of Aeolus, whom she married when a virgin, she married Oibalos, being the first woman, they say, to marry a second time; for before this wives were accustomed, on the death of their husbands, to live as widows.

2.21.8 In front of the tomb is a trophy of stone made to commemorate a victory over an Argive Laphaes. When this man was tyrant I write what the Argives themselves say concerning themselves—the people rose up against him and cast him out. He fled to Sparta, and the Lacedaemonians tried to restore him to power, but were defeated by the Argives, who killed the greater part of them and Laphaes as well. Not far from the trophy is the sanctuary of Leto; the statue [agalma] is a work of Praxiteles.

2.21.9 The statue [eikōn] of the maiden beside the goddess they call Chloris (Pale), saying that she was a daughter of Niobe, and that she was called Meliboea at the first. When the children of Amphion were destroyed by Apollo and Artemis, she alone of her sisters, along with Amyclas, escaped; their escape was due to their prayers to Leto. Meliboea was struck so pale by her fright, not only at the time but also for the rest of her life, that even her name was accordingly changed from Meliboea to Chloris.

2.21.10 Now the Argives say that these two built originally the temple to Leto, but I think that none of Niobe’s children survived, for I place more reliance than others on the poetry of Homer, one of whose verses bears out my view:Though they were only two, yet they gave all to destruction.* So Homer knows that the house of Amphion was utterly overthrown.

1 Iliad 24.609.